#252 • Johnny Johnson "The Edge of Night", "Night Goddess" & "High on Denali" Photographs

Part of The Johnny Johnson Estate Auction (timed auction by Alaska Premier Auctions & Appraisals)

Starting at $5.00

Status: Available

Bidding closes Nov 3, 2026 7:23 PM AKST

Category: Art

Three signed and numbered photographs by Alaska wildlife photographer Johnny Johnson (1947-2025). The first work, "The Edge of Night", is dated circa 2010 and numbered 257/950. Johnson described the scene: "As 'keepers of the light', Mt. McKinley and her family of lesser peaks reflect the last rays of the setting sun in the pristine waters of Wonder Lake. Located at the end of the Denali National Park road, Wonder Lake at sunset is a magical place. Inky shadows envelope the lowlands, while Denali and her sister peaks take on a shade of melted pearl. The spreading silence is like a drumbeat-broken from time to time by the cry of a loon or the distant call of a wolf." The second work, "Night Goddess", is dated circa 1995 and numbered 377/950. Johnson described the scene: "Curtains of light shimmer across a winter sky above Denali National Park Headquarters. An intense solar storm provided the energy for this brilliant display. Commonly referred to as northern lights, these moving bands of color extend from forty to several hundred miles high. They were named by Galileo in 1619 after the Roman goddess, Aurora. The way the northern lights works is a lot like a neon sign, except that in the aurora the conducting gas is in the ionosphere, instead of a glass tube, and the current travels along magnetic field lines instead of along copper tubes. Some people see a polar bear in the aurora's shape - do you see it?" The third work, "High on Denali", is dated circa 2007 and numbered 113/950. Johnson described the scene: "An Alaskan bush pilot guides his DeHavilland Beaver over the Tokositna Glacier into the heart of Denali's Southeast face. Getting up-close and personal gives visitors a true appreciation of the immense proportions of Mt. McKinley and the difficulties climbers face in reaching it's summit." All three are signed, dated, and numbered in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. The photographs are shrink-wrapped on board. The largest measures approximately 16" x 24".